Teague Bechtel
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Part 4 - Lesson 2
Beginner, Intermediate, Advanced, Master
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In this lesson we look at ways to get from the bebop scale to the three altered dominant sounds.
Introduction
Now that we have covered moving through dominant chords in the cycle and moving to distantly related keys, we examine moving from the bebop scale to one of our three altered dominant sounds. This is important for intesifying the V-I relationship, creating more tension and release in our lines.
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Bebop Scales Part 4 - Lesson 2 PDF
Download this PDF before working through the Part 4 - Lesson 2 video. This PDF contains examples that get us from the bebop scale to one of our three alterted dominant sounds; diminished, whole tone, and altered.
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Bebop Scales Part 4 - Lesson 2
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This video is all about getting from the bebop scale into one of our three altered dominant scales.
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About the Author
Teague Bechtel
I am a freelance guitarist living in Denver, CO. I hold my doctorate in jazz studies from the University of Northern Colorado. I have over 10 years experience teaching at all levels. I most recently served as the instructor of guitar at Casper College in Wyoming. My dissertation on Blue Note guitarist Grant Green is the basis for my first course here on Musiclessons.com.
Appropriate for Abilities
beginner, intermediate, advanced, master
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Created
2020-05-20T20:59:14.423Z
Last Updated
2020-05-26T22:34:24.237Z - Version 1.1